المحتويات / النص
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- Metamorphoses of modern sculpture
Between Tradition and Modernity
Rodin: Perfection and Experiment
Maillol and the Vitality of Classicism
Barlach: Expressive Robed Figures
Lehmbruk: Structure and Spirituality
Image-Makers from Hildebrand to Marino
- Abstraction and Cubism's Sound Shift
Spatial Dimension
Primitivism: a New Ideal
Brancusi: Being and form
Matisse: modeled Space
Picasso the Groundbreaker
Archipenko: Emancipation
Boccioni and the Futurist Vision
Duchamp- Villon and the Mechanization of man
A new Human Image for the Machine age
From Cubism to the Myth of Nature: Lipchitz, Laurens, Zadkine
- Constructing the World
Russia: Monuments and the culture of materials
Tatlin: counter-Relief, Monument and flying machine
Rodchenko and the Inkhuk constructive
"transit Station between painting and architecture"
The constructive international
Gabo and Pevsner: crystalline development
Bauhaus and De stijl: new media and experimentation
Abstraction- creation and concrete art
- From Readymade to Surrealist Object
Duchamp: Creation through Negation
The shock of dada: man ray and schwitters
The surrealist object
Giacometti: staging of psychological terror
The Spectre of Surrealism
- New Materials: Iron and steel
Picasso's Discovery of the metal Montage
Gonzalez: founding Father of Iron Sculpture
Calder: Poetry of the Mobile
With Hammer and Cutter
- Biomorphic Sculptures- a Vitalistic Counterposition
"like Nature"
Picasso's work at Boisgeloup
Arp: Dada heads and Organic Construction
Moore: the landscape of the body
Growth and Construction
- Post-War Positions: the Existential and the Abstract
Aftershock or new freedom?
Giacometti and the threat of Humanity
Informal: Process and Structure
Abstract Expressionism Construction of the Gesture
David Smith and gestural Abstraction
- Kinetic Expansion
Composition and Psychology Renounced
Nature, light, Movement, Technology
The Impetus of the Group: GRVE, ZERO, EAT, GAVS
Kinetic Art: Crisis and Complexity
Tinguely: the Machine as Theatre
- The Direct Language of Reality
The Ubiquitous Readymade
Rauschenberg and the Gap between life and Art
Kienholz and the American way of life
Oldenburg's Double Irony
British Pop art and Paolozzi's Machine World Collages
Nouveau Realisme: the sociology of the object
Intermedia, Fluxus: Object and Concept
Happening: object and action
Strategies of object art
- American and European Minimalists
Minimal Art: pure perception
Europe: System, composition and Caro's Strategy of Discontinuity
- Post-Minimal: sensual intensity
The sixties revised
Minimal processes and physicality
Serra: from Materialism to urban sculpture
Land Art: painting with mountains
Naumam and the body as a medium
Beuys: aura and sculpture
Arte Povera: an Alphabet for materials
- The Delta of the Contemporary
The end of the Avant-Grade
Architecture, Sculpture and forms of Action
Furniture and models
Trace of memory
Recycling and readymade
Young British sculptors
Intimacy and the Public Sphere
- New Media
Non-Traditional forms of artistic expression
- Activation of the senses
"Everything Disappears"
"Burn the museums!"
Demonstrative Gestures, Furious Protest and Constructive plans
Forays into the third and fourth dimensions
Artistic activity: a splendid spectacle
Proto-actions and proto-installation and the first Multiples
- Intermedia: Happenings, Actions and Fluxus
John Cage and the Intermingling of art Forms
Allan Kaprwo's Happenings
Wolf vostell and therapeutic disaster
Viennese Actionism
Infected by the fluxus Virus
The Principle of Permanent Creation
The Message of felt TV
- Art the Interface of art and the media industry
Land Art
Laboratories for the art of the future
Explorers of the moving picture
"Black Gate Cologne"
The Gerry Schum Television Gallery
- Video- software, Hardware and performance
Pixel-theatre on the screen
Mishandled objects, sculptures and "short" circuits
Transformations in live Art
The Seventies: a reservoir of ideas
Actors in time and space
- Messages in the first person
Videos, politics and the media
- the Eighties:" we're switching over!"
accelerated images
Cross-Fertilisation: high and low art
The Video- marker as seer
- The Nineties:
Interaction in Virtual Space
Encounters on the User-interface
The Gesamtkunstwerk in the public Arena
"you don't throw a grand piano away just because you've got synthesizer."
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