رقم التسجيلة
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2990
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نوع المادة
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book
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الموقع الالكتروني
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http://books.google.com/books?id=I55Og83J9PsC&printsec=frontcover&dq=The+art+and+technique+of+digital+color+correction&cd=1#v=onepage&q=&f=false
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ردمك
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9780240809908
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رقم الطلب
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TR510.H828
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المؤلف
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Hullfish, Steve
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العنوان
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The art and technique of digital color correction / Steve Hullfish
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بيانات النشر
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Amsterdam: Focal Press/Elsevier, 2008.
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الوصف المادي
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xiv, 373 p : 24 cm. + ; ill. (chiefly col.)
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ملاحظات
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Includes bibliographical references and index
CD included 1 CD foe every copy
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المحتويات / النص
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Acknowledgments
Introduction
Chapter 1 - Primary Color Correction: Tonal Range Primer
Monitoring
Video Monitor
Viewing Environment
Waveform and Vectorscopes
Alternative Displays and tools for Analysis
First Things first ? black level
Reading the Waveform Monitor
Setting the Black level
Setting Highlights
Setting Gammas or Mid-tones
Defining Contrast
Practice playing the Gamma against the Highlights and Shadows
Chapter 2 ? Primary Color Correction: Tonal Tools
Main Tools for Tonal Corrections
Sliders and numerical controls for tonal range
Don?t use Brightness or Contrast Controls
Color Primary In Room
Avid Symphony and Color Finesse HSL Control Tab
Histograms or Levels
Forms and functions of Histograms
Curves Tab
S Curve tip
Curves tutorial
Isolating Tonal Ranges with Curves
Luma Range Display
Luma Range Editing
Alternative to Luma Range
Chapter 3 ? Primary Color Correction: Color Control Primer
Balancing the image
Analyzing color casts
Using your eyes
Color and the Waveform
Color and the Vectorscope
Histograms
Eyedropper
Balancing color with a Flat Pass Waveform monitor
Color Contrast
Chapter 4 - Primary Color Correction: Color Manipulation Tools
Hue Offset Wheels
Hue Offsets with RGB Parade
Saturation Controls
Histograms
Curves
RGB set-up, gamma and gain sliders
Channels
Printer Lights
Filters
Chapter 5 ? Secondary Color Correction Primer
The purpose of Secondary Correction
Are you qualified?
Color Vector Isolation
Isolating a vector in FCP
Spot Color Correction (Vignettes or Power Windows)
The Vignette
User defined shapes
Using spot color correction to re-light
Color Vector with Garbage Matte
Secondaries are crucial
Chapter 6 ? Secondaries with the Pros
Vignettes
Vignetting the Ultralight Flyover scene
Vignetting the ?Kiss? Bedroom Scene
The key is subtlety
Spot Color Correction
?Windowing? the Ultralight Flyover scene
Vignette to create day-for-night
Vector and Luma qualified secondaries
Secondary corrections can focus attention
Using Secondaries to Match
Using a Luma key to build contrast
Chapter 7 ? Correcting Shots
Three more grades of the ?Banker?s Light? Scene
Saving a shot with bad color cast
Four trips down the "alley"
Three passes over the barn
Building up a weak piece of video
Using many tools to fix a shot
Grading with Curves in Primary
Broadening the Color Palette
Chapter 8 ? Telling the Story
Color Changes the Story
Talk like a D.P.
The story is the script
Emphasize elements to further the story
Imposing Story on the Boxer
Story Epilogue
Chapter 9 ? Matching Shots
Matching the Lions of the Art Institute
Matching scene to scene
Matching when lighting changes in a scene
Matching AND saving!
Matching Conclusion
Chapter 10 ? Creating Looks
Enough is enough
Preset looks
Festa?s PowerGrade library revealed
Preset Looks in Apple?s Color
Match the look
Looks for promos and opens
True Grit
Graphic looks
Music video inspiration
Skip Bleach or Bleach bypass
Day for Night
Change of Seasons
Chapter 11 ? Miscellaneous Wisdom
Starting off
Communicating with Clients
The Future of Color Correction
Taking it to extremes
The importance of Color Contrast
Maintaining a look
Looking at real life for inspiration
Multi-tasking
Smoke
Keeping butts in the seats
Books of Note
Conclusion
INDEX
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المستخلص
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Provides direct access to the skills, insights and techniques of some of the postproduction industry's most prominent digital video colorists, delivering practical skills to the postproduction pro seeking to improve their color grading craft. The author interviews and observes 8 professional colorists as they grade a series of real world video images, describing the methods and techniques each artist uses to reach their finalized image. These video images are included on a DVD that allows you to work lockstep with each artist as they grade their images. Though some tools provided may differ from one product to the next, the basic process of video color correction (grading) remains the same. Application agnostic and sure to inspire, The Art of Digital Video Color Correction will further your artistic skills, whether you're an editor, compositor, or colorist, and allow you to apply those skills to the grading process, making your finished image sharper, crisper and more aesthetically pleasing in general. * Digital video color correction tips and techniques from the pros grading the films, shows and commercials we all see everyday, thus advancing the artistic coloring skills of the reader * Is non-software specific, with lessons that are applicable to any postproduction workflow * DVD includes samples of the same video images that the colorists featured in the book were working on, providing direct access to the techniques and process of professional grading
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المواضيع
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Color computer printersColor display systemsColor photography - Digital techniquesColor computer graphics
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