Sound design : the expressive power of music, voice, and sound effects in cinema / by David Sonnenschein

Image

التفاصيل :

رقم التسجيلة 6657
نوع المادة book
ردمك 0941188264
رقم الطلب TR897.S66
شخص Sonnenschein, David

العنوان Sound design : the expressive power of music, voice, and sound effects in cinema / by David Sonnenschein
بيانات النشر Studio City, CA: M. Wiese Productions, 2001.
الوصف المادي xxiii, 245 p
ملاحظات Includes bibliographical references (p. 227-231) and index
المحتويات / النص CHAPTER 1 CREATING THE SOUND DESIGN STEP-BY-STEP THE FIRST SCRIPT READING WHAT TO LISTEN FOR GROUPING THE VOICES DRAWING VISUAL MAPS MEETING WITH THE DIRECTOR THE SOUND MAP - DRAFT 1 CONSULTING BEFORE AND DURING THE SHOOT ACCOMPANYING THE PICTURE EDIT ANALYZING THE FINAL PICTURE EDIT THE SOUND MAP - DRAFT 2 DEFINING VOICE SOURCES AND MODIFICATIONS DEFINING SOUND EFFECTS AND AMBIENCE SOURCES COORDINATING WITH THE MUSIC SCORE EXPERIMENTATION AND OPEN OPTIONS EXHIBITION CONSIDERATIONS THE SOUND MAP - DRAFT 3 PRE-MIX DECISIONS THE FINAL MIX AND PRINT MASTER CHAPTER 2 EXPANDING CREATIVITYTAPPING INTO THE DREAMSCAPE IMAGINATION TOOLS INVENTING ORIGINAL SOUNDS Cartoon and foley Musique concrete Recording techniques Sound shaping Emotional impact CHAPTER 3 FROM VIBRATION TO SENSATION . THE SOURCE THE MEDIUM SOUND QUALITIES Rhythm Intensity Pitch Timbre Speed Shape Organization Sensitizing to sound quality PHYSICAL EFFECTS OF SOUND THE EAR Hearing development Outer ear (pinna) Middle ear (ear canal / ear drum / ossicles) Inner ear (cochlea) Sensitivity Masking CHAPTER 4 FROM SENSATION TO PERCEPTION LISTENING MODES Reduced Causal Semantic Referential GESTALT PRINCIPLES AND ILLUSION Figure and ground Completeness, good continuation and closure Proximity and similarity Common fate and belongingness Illusion SPACE Size, distance and perspective Echo and reverberation Directionality Subjective / emotional space Movement TIME Temporal resolution and integration Speed Subjective time TONE Frequency perception Loudness Recognition Habituation and hearing loss Tonal center Out of tune and beat phenomena Historical perspective ENTRAINMENT CHAPTER 5 MUSIC TO OUR EARS ORIGINS OF MUSIC FEELINGS VS. ORDER EMOTIONAL SIGNIFIER Openness Insights Groups Emotional inventory GENRES STRUCTURE AND FUNCTION World music Feminine form Violating form THE CASE OF THE SONATA RHYTHM AND ANTICIPATION MELODY HARMONY AND DISSONANCE TONAL CENTER SILENCE CONTRAST CHAPTER 6 THE HUMAN VOICE THE VOCAL INSTRUMENT DEVELOPMENT OF SPEECH SPEECH RECOGNITION AND VERBAL UNDERSTANDING MEANING VS. FEELING PROSODY - VOCAL MELODY AND EMOTION MANTRAS, NONSENSE AND BEYOND VOICE PERSONALITIES ALIEN LANGUAGE SOUND AND IMAGE EYES AND EARS ON SCREEN, OFF SCREEN AND OUTSIDE STORY WORLD On Screen Off screen Non-diegetic MUSIC IN FILM DIALOGUE IN FILM SPATIAL DIMENSIONS 3D space Hi-fi vs. Low-fi perspective Size Point of Audition Sensation and texture TEMPORAL DIMENSIONS BRIDGING AND BREAKS SYNCHRONIZATION ADDED VALUE AND MULTIPLE MEANINGS CHAPTER 7 SOUND AND NARRATIVE NARRATIVE ANALYSIS MUSIC AND STORY CHARACTER IDENTIFICATION Objective audience perspective Subjective character experience Non-literal sound Emotional associations PRIMARY AND SECONDARY EMOTIONS ENVIRONMENTS AND THE "SOUNDSCAPE" INVENTING SOUND OBJECTS Impact Firearms Vehicles Fire More ideas and techniques AUDITORY HIERARCHY DRAMATIC EVOLUTION Earthquake effect PRODUCTION DESIGN AND IMAGE ANALYSIS PERFORMANCE ANALYSIS SOUND REFERENCES UNIVERSAL Cultural Historical Film specific "PLEASANTVILLE" - CASE STUDY INTEGRATING STORY AND MUSIC CHAPTER 9 THE FUTURE OF SOUND DESIGN A WORD ON SOUND POLITICS - WHEN CAN WE START? INTERNET AND INTERACTIVE MEDIA APPENDIX CLASSIFICATION OF SOUNDS FILMOGRAPHY BIBLIOGRAPHY
المواضيع Motion pictures - Sound effects

النسخ :

الباركود رمز الوحدة النسخة نوع النسخة
0000066570001 TR897.S66
1 عادي

المرفقات :

العنوان الوصف