The new Iranian cinema : politics, representation and identity . / edited by Richard Tapper

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التفاصيل :

رقم التسجيلة 77
نوع المادة book
الموقع الالكتروني http://tinyurl.com/3hfj9a9
ردمك 1860648045
رقم الطلب PN 1993.5 .I846 N49
العنوان The new Iranian cinema : politics, representation and identity . / edited by Richard Tapper
بيانات النشر London: I.B. Tauris Publishers, 2002.
الوصف المادي xv, 282 p : 24 cm ; ill
ملاحظات Includes bibliographical reference and indexes Filmography: p. 262-269
المحتويات / النص
1 Introduction                                              1
   Richard Tapper
2 Islamizing Film Culture in Iran: A Post-Khatami Update
   Hamid Naficy                                                 26
3 Classic Tools, Original Goals: Cinema and Public Policy
   in the Islamic Republic of Iran (1979-97)
   Agnes Devictor                                               66
4 The Crisis in the Iranian Film Industry and the Role
   of Government
   Hossein Ghazian                                              77
5 Perspectives on Recent (International Acclaim for)
   Iranian Cinema
   Azadeh Farahmand                                             86
6 Politics and Cinema in Post-revolutionary Iran: An
   Uneasy Relationship
   Ali Reza Haghighi                                           109
7 Dead Certainties: The Early Makhmalbaf
   Hamid Dabashi                                               117



8 A Ghost in the Machine: The Cinema of the Iranian
  Sacred Defence
  Roxanne Varzi                                             154
9 Negotiating the Politics of Gender in Iran: An Ethnography
  of a Documentary
  Ziba Mir-Hosseini                                         167
10 Location (Physical Space) and Cultural Identity in Iranian Films
  Mehrnaz Saeed-Vafa                                        200
11 Chaste Dolls and Unchaste Dolls: Women in Iranian Cinema
  since 1979
  Shahla Lahiji                                             215
12 Children in Contemporary Iranian Cinema: When we
  were Children
  Hamid Reza Sadr                                           227
13 Marking Gender and Difference in the Myth of the Nation:
  A Post-revolutionary Iranian Film
  Nasrin Rahimieh                                           238
14 Afterword
  Laura Mulvey                                              254
المستخلص https://www.loc.gov/cgi-bin/Count.cgi?sh=0|ft=1&dd=C|df=summary.dat" alt="Counter" style="color: rgb(0, 0, 0); font-family: "Times New Roman"; font-size: medium;"> Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true ‘world cinema’. From a range of perspectives, they explore cinema’s development in post Revolution Iran and its place in Iranian culture.
المواضيع Motion pictures - Iran
Motion pictures - Political aspects - Iran

الأسماء المرتبطة Tapper, Richard

النسخ :

الباركود رمز الوحدة النسخة نوع النسخة
0000000770001 PN 1993.5 .I846 N49
1 عادي

المرفقات :

العنوان الوصف