Theory of film : the redemption of physical reality / Siegfried Kracauer ; with a new introduction by Miriam Bratu Hansen
| رقم التسجيلة | 1999 |
| نوع المادة | book |
| ردمك | 0691037043 |
| رقم الطلب |
PN1994.K72 |
| المؤلف | Kracauer, Siegfried |
| العنوان | Theory of film : the redemption of physical reality / Siegfried Kracauer ; with a new introduction by Miriam Bratu Hansen |
| بيانات النشر | Princeton, NJ: Princeton University Press, 1997. |
| الوصف المادي | 364 p. cm |
| ملاحظات |
Originally published: London ; New York : Oxford University Press, 1960 Includes bibliographical references and index |
| المحتويات / النص |
Introduction Preface Acknowledgments Introduction 1 Photography 3 2 Basic Concepts 27 3 The Establishment of Physical Existence 41 4 Inherent Affinities 60 5 History and Fantasy 77 6 Remarks on the Actor 93 7 Dialogue and Sound 102 8 Music 133 9 The Spectator 157 10 Experimental film 175 11 The Film of Fact 193 12 The Theatrical Story 215 13 Interlude: Film and Novel 232 14 The Found Story and the Episode 245 15 Matters of Content 262 16 Film in Our Time 285 Notes 313 Bibliography 339 Index 351 |
| المستخلص |
Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bela Bal?zs, Rudolf Arnheim, and Andre Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory. |
| المواضيع | Motion pictures |
| LDR | 00100cam a22001693a 4500 |
| 020 | |a 0691037043 |
| 050 | |a PN1994.K72 |
| 100 | |a Kracauer, Siegfried |
| 245 | |a Theory of film : |b the redemption of physical reality / |c Siegfried Kracauer ; with a new introduction by Miriam Bratu Hansen |
| 260 | |a Princeton, NJ |b Princeton University Press, |c 1997 |
| 300 | |a 364 p. cm |
| 500 | |a Originally published: London ; New York : Oxford University Press, 1960 Includes bibliographical references and index |
| 505 | |a Introduction Preface Acknowledgments Introduction 1 Photography 3 2 Basic Concepts 27 3 The Establishment of Physical Existence 41 4 Inherent Affinities 60 5 History and Fantasy 77 6 Remarks on the Actor 93 7 Dialogue and Sound 102 8 Music 133 9 The Spectator 157 10 Experimental film 175 11 The Film of Fact 193 12 The Theatrical Story 215 13 Interlude: Film and Novel 232 14 The Found Story and the Episode 245 15 Matters of Content 262 16 Film in Our Time 285 Notes 313 Bibliography 339 Index 351 |
| 520 | |a Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bela Bal?zs, Rudolf Arnheim, and Andre Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory. |
| 650 | |a Motion pictures |
| 910 | |a libsys:recno,1999 |
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