The Master Jewelers . / Edited by A. Kenneth Snowman
رقم التسجيلة | 2450 |
نوع المادة | book |
ردمك | 0500283869 |
رقم الطلب |
NK7309.8.M38 |
العنوان | The Master Jewelers . / Edited by A. Kenneth Snowman |
بيان الطبعة | rep. paperback ed |
بيانات النشر | London: Thames & Hudson Ltd, 2006. |
الوصف المادي | 262 p ; ill., col |
ملاحظات |
- Includes bibliographical references and index - Includes illustrations in colour |
المحتويات / النص |
Castellani and Giuliano - Geoffrey Munn Fontenay - Marc Bascou Hancock - Charlotte Gere Falize - Katherine Purcell Boucheron - Alain Boucheron Faberge - A. Kenneth Snowman Tillander - Ulla Tillander-Godenhield and Michael Wynne-Ellis Lalique - Vivienne Becker Vever - Evelyne Posseme Fouquet - Marie-Noel de Gary Tiffany - Janet Zapata Cartier - Ralph Esmerian Van Cleef & Arpels - Nina Wahl Verdurs - Edward Landrigan Bulgari - Charles M. Newton and Omar Torres |
المستخلص |
In the mid-nineteenth century, the master jewelers of the Western world began to shed the anonymity under which artist-craftsmen had generally worked. They emerged as individual voices, discarding the bland, predictable standards of the earlier era in jewelry design in favor of evocative new creations. The renowned designers whose work is featured in this book can be instantly identified by their particular interests and discoveries. Faberge emphasized originality of design and the quality of craftsmanship, rather than the intrinsic value of the materials used. Castellani is known for his nostalgic glances back at Etruscan gold work. Lalique was irresistibly fascinated by the strange forms he adapted from nature. The searching, critical eye of a Cartier or a Boucheron lent chic to their beloved abstract patterns. In fifteen chapters written by leading experts in the field, the world of fine jewelry, encompassing its social, aesthetic, and business aspects, springs to life. The magnificent illustrations display extraordinary confections of gold, silver, and platinum, gems cut and polished in every conceivable fashion, and enamels, translucent, opaque, or as clear as stained-glass windows -- all designed and executed to enhance the allure of the people fortunate enough to wear them. |
المواضيع | Jewelry - History - 19th centuryJewelry - History - 20th century |
شخص | Snowman, A. Kenneth |
LDR | 00110cam a22001933a 4500 |
020 | |a 0500283869 |
050 | |a NK7309.8.M38 |
245 | |a The Master Jewelers . / |c Edited by A. Kenneth Snowman |
250 | |a rep. paperback ed. |
260 | |a London |b Thames & Hudson Ltd, |c 2006 |
300 | |a 262 p: |b ill., col. |
500 | |a - Includes bibliographical references and index - Includes illustrations in colour |
505 | |a Castellani and Giuliano - Geoffrey Munn Fontenay - Marc Bascou Hancock - Charlotte Gere Falize - Katherine Purcell Boucheron - Alain Boucheron Faberge - A. Kenneth Snowman Tillander - Ulla Tillander-Godenhield and Michael Wynne-Ellis Lalique - Vivienne Becker Vever - Evelyne Posseme Fouquet - Marie-Noel de Gary Tiffany - Janet Zapata Cartier - Ralph Esmerian Van Cleef & Arpels - Nina Wahl Verdurs - Edward Landrigan Bulgari - Charles M. Newton and Omar Torres |
520 | |a In the mid-nineteenth century, the master jewelers of the Western world began to shed the anonymity under which artist-craftsmen had generally worked. They emerged as individual voices, discarding the bland, predictable standards of the earlier era in jewelry design in favor of evocative new creations. The renowned designers whose work is featured in this book can be instantly identified by their particular interests and discoveries. Faberge emphasized originality of design and the quality of craftsmanship, rather than the intrinsic value of the materials used. Castellani is known for his nostalgic glances back at Etruscan gold work. Lalique was irresistibly fascinated by the strange forms he adapted from nature. The searching, critical eye of a Cartier or a Boucheron lent chic to their beloved abstract patterns. In fifteen chapters written by leading experts in the field, the world of fine jewelry, encompassing its social, aesthetic, and business aspects, springs to life. The magnificent illustrations display extraordinary confections of gold, silver, and platinum, gems cut and polished in every conceivable fashion, and enamels, translucent, opaque, or as clear as stained-glass windows -- all designed and executed to enhance the allure of the people fortunate enough to wear them. |
650 | |a Jewelry - History - 20th century |
650 | |a Jewelry - History - 19th century |
700 | |a Snowman, A. Kenneth |e edt |
910 | |a libsys:recno,2450 |
العنوان | الوصف | النص |
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