Jazz composition and arranging / Tom Boras
رقم التسجيلة | 2522 |
نوع المادة | book |
ردمك | 0534252613 |
رقم الطلب |
MT40.B72 |
المؤلف | Boras, Tom |
العنوان | Jazz composition and arranging / Tom Boras |
بيانات النشر | Belmont, CA: Schirmer - Thomson Learning, Inc, 2005. |
الوصف المادي | xiv, 381 p : 28 cm ; spiral |
ملاحظات |
- Includes glossary and index - Includes musical notes |
المحتويات / النص |
An overview of jazz arranging Line concepts : melodic writing Three conceptualizations of reharmonization Bass motion and bass lines Writing for the rhythm section and saxophones, trumpet, and trombone Basics of voicings Melodic analysis for soli textures and reharmonization of secondary tones Scoring melodic foreground and middleground textures Contrapuntal and homophonic textures Scoring backgrounds or accompaniment for solos Appendix A: Modal and tonal concepts Appendix B: The blues Appendix C: Ranges for common woodwind doubles and other brass instruments Appendix D: Two full scores. |
المستخلص |
Whether you are an arranger or a composer or a music major, JAZZ COMPOSITION AND ARRANGING will help you gain a full understanding of the subject. This comprehensive introduction to the skills and techniques necessary for producing a successful composition and arranging project focuses on the concepts underlying instrumental writing, rather than on stylistic concerns. Narrative and music examples illustrate the harmonic and melodic practices prevalent in today's contemporary jazz music scene. The text focuses on presenting voice-leading tendencies in a number of different contexts: line writing, bass line construction, voicing procedures, and scoring textures. |
المواضيع | Jazz - Instruction and studyComposition (Music)Arrangement (Music) |
LDR | 00110cam a22001933a 4500 |
020 | |a 0534252613 |
050 | |a MT40.B72 |
100 | |a Boras, Tom |
245 | |a Jazz composition and arranging / |c Tom Boras |
260 | |a Belmont, CA |b Schirmer - Thomson Learning, Inc, |c 2005 |
300 | |a xiv, 381 p.: |b spiral; |c 28 cm |
500 | |a - Includes glossary and index - Includes musical notes |
505 | |a An overview of jazz arranging Line concepts : melodic writing Three conceptualizations of reharmonization Bass motion and bass lines Writing for the rhythm section and saxophones, trumpet, and trombone Basics of voicings Melodic analysis for soli textures and reharmonization of secondary tones Scoring melodic foreground and middleground textures Contrapuntal and homophonic textures Scoring backgrounds or accompaniment for solos Appendix A: Modal and tonal concepts Appendix B: The blues Appendix C: Ranges for common woodwind doubles and other brass instruments Appendix D: Two full scores. |
520 | |a Whether you are an arranger or a composer or a music major, JAZZ COMPOSITION AND ARRANGING will help you gain a full understanding of the subject. This comprehensive introduction to the skills and techniques necessary for producing a successful composition and arranging project focuses on the concepts underlying instrumental writing, rather than on stylistic concerns. Narrative and music examples illustrate the harmonic and melodic practices prevalent in today's contemporary jazz music scene. The text focuses on presenting voice-leading tendencies in a number of different contexts: line writing, bass line construction, voicing procedures, and scoring textures. |
650 | |a Arrangement (Music) |
650 | |a Composition (Music) |
650 | |a Jazz - Instruction and study |
910 | |a libsys:recno,2522 |
العنوان | الوصف | النص |
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