The subject of documentary / Michael Renov
| رقم التسجيلة | 2833 |
| نوع المادة | book |
| ردمك | 0816634408 |
| رقم الطلب |
PN1995.9.D6R44 |
| المؤلف | Renov, Michael |
| العنوان | The subject of documentary / Michael Renov |
| بيانات النشر | Minneapolis: University of Minnesota Press, 2004. |
| الوصف المادي | xxiv, 286 p : 26 cm ; ill |
| بيان السلسلة | Visible evidence |
| ملاحظات |
Essays either previously published or previously presented at various conferences Includes bibliographical references and index |
| المحتويات / النص |
Acknowledgments Surveying the Subject: An Introduction Part I. Social Subjectivity 1. Early Newsreel: The Construction of a Political Imaginary for the New Left 2. The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation 3. Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 4. Lost, Lost, Lost: Mekas as Essayist Part II. The Subject in Theory 5. Charged Vision: The Place of Desire in Documentary Film Theory 6. The Subject in History: The New Autobiography in Film and Video 7. Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video 8. Documentary Disavowals and the Digital 9. Technology and Ethnographic Dialogue 10. The Address to the Other: Ethical Discourse in Everything's for You Part III. Modes of Subjectivity 11. New Subjectivities: Documentary and Self-Representation in the Post-Verité Age 12. The Electronic Essay 13. Video Confessions 14. Domestic Ethnography and the Construction of the "Other" Self 15. The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet) Notes Publication History Index |
| المواضيع | Documentary films - History and criticism |
| LDR | 00100cam a22001693a 4500 |
| 020 | |a 0816634408 |
| 050 | |a PN1995.9.D6R44 |
| 100 | |a Renov, Michael |
| 245 | |a The subject of documentary / |c Michael Renov |
| 260 | |a Minneapolis |b University of Minnesota Press, |c 2004 |
| 300 | |a xxiv, 286 p.: |b ill.; |c 26 cm |
| 490 | |a Visible evidence ; |
| 500 | |a Essays either previously published or previously presented at various conferences Includes bibliographical references and index |
| 505 | |a Acknowledgments Surveying the Subject: An Introduction Part I. Social Subjectivity 1. Early Newsreel: The Construction of a Political Imaginary for the New Left 2. The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation 3. Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 4. Lost, Lost, Lost: Mekas as Essayist Part II. The Subject in Theory 5. Charged Vision: The Place of Desire in Documentary Film Theory 6. The Subject in History: The New Autobiography in Film and Video 7. Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video 8. Documentary Disavowals and the Digital 9. Technology and Ethnographic Dialogue 10. The Address to the Other: Ethical Discourse in Everything's for You Part III. Modes of Subjectivity 11. New Subjectivities: Documentary and Self-Representation in the Post-Verité Age 12. The Electronic Essay 13. Video Confessions 14. Domestic Ethnography and the Construction of the "Other" Self 15. The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet) Notes Publication History Index |
| 650 | |a Documentary films - History and criticism |
| 910 | |a libsys:recno,2833 |
| العنوان | الوصف | النص |
|---|