N5300.A33

1: Why Do We Study the History of Art? 2: The Language of Art 3: Prehistoric Western Europe 4: The Ancient Near East 5: Ancient Egypt 6: The Aegean 7: The Art of Ancient Greece 8: The Art of the Etruscans 9: Ancient Rome 10: Early Christian and Byzantine Art 11: The Early Middle Ages 12: Romanesque Art 13: Gothic Art 14: Precursors of the Renaissance 15: The Early Renaissance 16: The High Renaissance in Italy 17: Mannerism and the Later Sixteenth Century in Italy 18: Sixteenth-Century Painting and Printmaking in Northern Europe 19: The Baroque Style in Western Europe 20: Rococo, the Eighteenth Century, and Revival Styles 21: Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries 22: Romanticism: The Late Eighteenth and Early Nineteenth Centuries 23: Nineteenth-Century Realism 24: Nineteenth-Century Impressionism 25: Post-Impressionism and the Late Nineteenth Century 26: The Early Twentieth Century: Picasso, Fauvism, Expressionism, and Matisse 27: Cubism, Futurism, and Related Twentieth-Century Styles 28: Dada, Surrealism, Social Realism, Regionalism, and Abstraction 29: Mid-Century American Abstraction 30: Pop Art, Op Art, Minimalism, and Conceptualism 31: Continuity, Innovation, and Globalization A History of Western Art, Fifth edition, book cover