Libsys Opac

ارسال طباعة Marc21 XML

The new Iranian cinema : politics, representation and identity . / edited by Richard Tapper

عدد النسخ: 1 عدد النسخ المعارة : 0 عدد النسخ المتاحة للاعارة : 1

رقم التسجيلة	77
نوع المادة	book
الموقع الالكتروني	http://tinyurl.com/3hfj9a9
ردمك	1860648045
رقم الطلب	PN 1993.5 .I846 N49
العنوان	The new Iranian cinema : politics, representation and identity . / edited by Richard Tapper
بيانات النشر	London: I.B. Tauris Publishers, 2002.
الوصف المادي	xv, 282 p : 24 cm ; ill
ملاحظات	Includes bibliographical reference and indexes Filmography: p. 262-269
المحتويات / النص	1 Introduction 1 Richard Tapper 2 Islamizing Film Culture in Iran: A Post-Khatami Update Hamid Naficy 26 3 Classic Tools, Original Goals: Cinema and Public Policy in the Islamic Republic of Iran (1979-97) Agnes Devictor 66 4 The Crisis in the Iranian Film Industry and the Role of Government Hossein Ghazian 77 5 Perspectives on Recent (International Acclaim for) Iranian Cinema Azadeh Farahmand 86 6 Politics and Cinema in Post-revolutionary Iran: An Uneasy Relationship Ali Reza Haghighi 109 7 Dead Certainties: The Early Makhmalbaf Hamid Dabashi 117 8 A Ghost in the Machine: The Cinema of the Iranian Sacred Defence Roxanne Varzi 154 9 Negotiating the Politics of Gender in Iran: An Ethnography of a Documentary Ziba Mir-Hosseini 167 10 Location (Physical Space) and Cultural Identity in Iranian Films Mehrnaz Saeed-Vafa 200 11 Chaste Dolls and Unchaste Dolls: Women in Iranian Cinema since 1979 Shahla Lahiji 215 12 Children in Contemporary Iranian Cinema: When we were Children Hamid Reza Sadr 227 13 Marking Gender and Difference in the Myth of the Nation: A Post-revolutionary Iranian Film Nasrin Rahimieh 238 14 Afterword Laura Mulvey 254
المستخلص	https://www.loc.gov/cgi-bin/Count.cgi?sh=0\|ft=1&dd=C\|df=summary.dat" alt="Counter" style="color: rgb(0, 0, 0); font-family: "Times New Roman"; font-size: medium;"> Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true ‘world cinema’. From a range of perspectives, they explore cinema’s development in post Revolution Iran and its place in Iranian culture.
المواضيع	Motion pictures - Iran Motion pictures - Political aspects - Iran
الأسماء المرتبطة	Tapper, Richard

LDR	00110cam a22001933a 4500
020	\|a 1860648045
050	\|a PN 1993.5 .I846 N49
245	\|a The new Iranian cinema : politics, representation and identity . / \|c edited by Richard Tapper
260	\|a London \|b I.B. Tauris Publishers, \|c 2002
300	\|a xv, 282 p: \|b ill; \|c 24 cm
500	\|a Includes bibliographical reference and indexes Filmography: p. 262-269
505	\|a 1 Introduction 1 Richard Tapper 2 Islamizing Film Culture in Iran: A Post-Khatami Update Hamid Naficy 26 3 Classic Tools, Original Goals: Cinema and Public Policy in the Islamic Republic of Iran (1979-97) Agnes Devictor 66 4 The Crisis in the Iranian Film Industry and the Role of Government Hossein Ghazian 77 5 Perspectives on Recent (International Acclaim for) Iranian Cinema Azadeh Farahmand 86 6 Politics and Cinema in Post-revolutionary Iran: An Uneasy Relationship Ali Reza Haghighi 109 7 Dead Certainties: The Early Makhmalbaf Hamid Dabashi 117 8 A Ghost in the Machine: The Cinema of the Iranian Sacred Defence Roxanne Varzi 154 9 Negotiating the Politics of Gender in Iran: An Ethnography of a Documentary Ziba Mir-Hosseini 167 10 Location (Physical Space) and Cultural Identity in Iranian Films Mehrnaz Saeed-Vafa 200 11 Chaste Dolls and Unchaste Dolls: Women in Iranian Cinema since 1979 Shahla Lahiji 215 12 Children in Contemporary Iranian Cinema: When we were Children Hamid Reza Sadr 227 13 Marking Gender and Difference in the Myth of the Nation: A Post-revolutionary Iranian Film Nasrin Rahimieh 238 14 Afterword Laura Mulvey 254
520	\|a Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true ‘world cinema’. From a range of perspectives, they explore cinema’s development in post Revolution Iran and its place in Iranian culture.
650	\|a Motion pictures - Political aspects - Iran
650	\|a Motion pictures - Iran
700	\|a Tapper, Richard
856	\|u http://tinyurl.com/3hfj9a9
910	\|a libsys:recno,77

الباركود	رمز الوحدة	النسخة	نوع النسخة	الحالة	رابط النص الكامل
0000000770001	PN 1993.5 .I846 N49	1		عادي		التفاصيل	المحتوى

	العنوان	الوصف	النص