Graphic design theory : readings from the field / edited by Helen Armstrong
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رقم التسجيلة | 9416 |
نوع المادة | كتاب |
ردمك | 9781568987729 |
رقم الطلب |
NC 997 .G673 |
العنوان | Graphic design theory : readings from the field / edited by Helen Armstrong |
بيان الطبعة | 1st ed |
بيانات النشر | New York: Princeton Architectural Press، 2009. |
الوصف المادي | 151. p |
بيان السلسلة | Design briefs |
المحتويات / النص |
Foreword: Why Theory? Ellen Lupton Acknowledgements Introduction: Revisiting the Avant-Garde Timeline Section One: Creating the Field Manifesto of Futurism F. T. Marinetti | 1909 Who We Are: Manifesto of the Constructivist Group Aleksandr Rodchenko, Varvara Stepanova, and Aleksei Gan | 1922 Our Book El Lissitzky | c. 1926 Typophoto L¿szl¿ Moholy-Nagy | 1925 The New Typography Jan Tschichold | 1928 The Crystal Goblet, or Why Printing Should be Invisible Beatrice Warde | 1930 On Typography Herbert Bayer | 1967 Theory at Work Futurism Constructivism The Bauhaus/New Typography Section Two: Building on Success Designing Programmes Karl Gerstner | 1964 Grid and Design Philosophy Josef M¿ller-Brockmann | 1981 Good Design Is Goodwill Paul Rand | 1987 Learning from Las Vegas: The forgotten Symbolism of Architectural Form Robert Venturi, Denise Scott Brown, and Steven Izenour | 1977 My Way to Typography Wolfgang Weingart | 2000 Typography as Discourse Katherine McCoy with David Frej| 1988 The End of Print: The Graphic Design of David Carson Lewis Blackwell and David Carson | 2000 The Dark in the Middle of the Stairs Paula Scher | 1989 Theory at Work International Style Modernism in America New Wave/Postmodern Section Three: Mapping the Future The Macram¿ of Resistance Lorraine Wild | 1998 Design and Reflexivity Jan van Toorn | 1994 Design Anarchy Kalle Lasn | 2006 The Designer as Author Michael Rock | 1996 Designing Our Own Graves Dmitri Siegel | 2007 Dematerialization of Screen Space Jessica Helfand | 2001 Computer Technology and Design Kenya Hara | 2007 Import/Export, or Design Workflow and Contemporary Aesthetics Lev Manovich | 2006 Univers Strikes Back Ellen and Julia Lupton | 2007 Theory at Work Contemporary Design Appendix Glossary Bibliography Index |
المستخلص |
The titles in our best-selling Design Brief series are highly praised by graphic design students, educators, and professionals worldwide as invaluable resources. Each beautifully designed, affordable volume offers a concise overview of a design fundamentalthe hows of design. But as most seasoned designers will tell you, a comprehensive education also requires an understanding of the whys of design practice. Graphic Design Theory presents groundbreaking, primary texts from the most important historical and contemporary designthinkers. From Aleksandr Rodchenko's "Who We Are: Manifesto of the Constructivist Group" to Kenya Hara's "Computer Technology and Design," this essential volume provides the necessary foundation for
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المواضيع | Graphic artsCommercial art |
الأسماء المرتبطة | Armstrong, Helen |
LDR | 00110cam a22001933a 4500 |
020 | |a 9781568987729 |
050 | |a NC 997 .G673 |
245 | |a Graphic design theory : readings from the field / |c edited by Helen Armstrong |
250 | |a 1st ed |
260 | |a New York |b Princeton Architectural Press, |c 2009 |
300 | |a 151. p |
490 | |a Design briefs |
505 |
|a Foreword: Why Theory? Ellen LuptonAcknowledgementsIntroduction: Revisiting the Avant-GardeTimelineSection One: Creating the FieldManifesto of FuturismF. T. Marinetti | 1909 Who We Are: Manifesto of the Constructivist GroupAleksandr Rodchenko, Varvara Stepanova, and Aleksei Gan | 1922Our BookEl Lissitzky | c. 1926TypophotoL¿szl¿ Moholy-Nagy | 1925The New TypographyJan Tschichold | 1928The Crystal Goblet, or Why Printing Should be InvisibleBeatrice Warde | 1930On TypographyHerbert Bayer | 1967Theory at WorkFuturismConstructivismThe Bauhaus/New TypographySection Two: Building on SuccessDesigning ProgrammesKarl Gerstner | 1964Grid and Design PhilosophyJosef M¿ller-Brockmann | 1981Good Design Is GoodwillPaul Rand | 1987Learning from Las Vegas: The forgotten Symbolism of Architectural FormRobert Venturi, Denise Scott Brown, and Steven Izenour | 1977My Way to TypographyWolfgang Weingart | 2000Typography as DiscourseKatherine McCoy with David Frej| 1988The End of Print: The Graphic Design of David CarsonLewis Blackwell and David Carson | 2000The Dark in the Middle of the StairsPaula Scher | 1989Theory at WorkInternational StyleModernism in AmericaNew Wave/PostmodernSection Three: Mapping the FutureThe Macram¿ of ResistanceLorraine Wild | 1998Design and ReflexivityJan van Toorn | 1994Design AnarchyKalle Lasn | 2006The Designer as AuthorMichael Rock | 1996Designing Our Own GravesDmitri Siegel | 2007Dematerialization of Screen SpaceThe titles in our best-selling Design Brief series are highly praised by graphic design students, educators, and professionals worldwide as invaluable resources. Each beautifully designed, affordable volume offers a concise overview of a design fundamentalthe hows of design. But as most seasoned designers will tell you, a comprehensive education also requires an understanding of the whys of design practice. Graphic Design Theory presents groundbreaking, primary texts from the most important historical and contemporary designthinkers. From Aleksandr Rodchenko's "Who We Are: Manifesto of the Constructivist Group" to Kenya Hara's "Computer Technology and Design," this essential volume provides the necessary foundation for
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650 | |a Commercial art |
650 | |a Graphic arts |
700 | |a Armstrong, Helen |e edt |
910 | |a libsys:recno,9416 |
العنوان | الوصف | النص |
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