ر.ت |
عنوان التسجيلة |
العنوان |
مؤشر المكان |
مجلد/عدد/جزء |
6953
|
Amazing Grace : Aretha Franklin’s holy grail gospel concert film, directed by Sydney Pollack in the early 1970s, finally sees the shining light of day
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Film Comment( January - February 2019 ) |
P. 34 - 37
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55/1/-
|
6953
|
Manny Farber Returns : A never-before-transcribed talk from the legendary critic-painter addresses the important business of not treating movies like a business
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Film Comment( January - February 2019 ) |
P. 58 - 67
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55/1/-
|
6953
|
Triumph of the Will : Who is truly responsible for elevating Leni Riefenstahl’s infamous paean to Hitler into the realm of essential cinema?
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Film Comment( January - February 2019 ) |
P. 54 - 57
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55/1/-
|
6953
|
Republic Pictures : The A-house of the B-movies, the legendary Hollywood studio became its own realm of Americana and cut-to-the-chase satisfaction
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Film Comment( January - February 2019 ) |
P. 48 - 53
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55/1/-
|
6953
|
The End: The Films of 2018 : The best films of the year, with arguments for each by the magazine’s contributors
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Film Comment( January - February 2019 ) |
P. 38 - 47
|
55/1/-
|
6953
|
The Image Book : All you need to know about Jean-Luc Godard’s latest late-career masterpiece, including secrets from the reclusive auteur’s cinematographer-collaborator Fabrice Aragno
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Film Comment( January - February 2019 ) |
P. 24 - 29
|
55/1/-
|
6953
|
La Flor : There are so many entry points to Argentine filmmaker Mariano Llinلs’s festival-rocking, serially adventurous epic, but here are four to start
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Film Comment( January - February 2019 ) |
P. 30 - 33
|
55/1/-
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